{"id":1763,"date":"2022-10-11T15:00:55","date_gmt":"2022-10-11T20:00:55","guid":{"rendered":"https:\/\/blogs.mlc-wels.edu\/wels-educator\/?p=1763"},"modified":"2022-10-05T15:46:00","modified_gmt":"2022-10-05T20:46:00","slug":"how-to-serve-racially-ethnically-culturally-diverse-students-part-3-books","status":"publish","type":"post","link":"https:\/\/blogs.mlc-wels.edu\/wels-educator\/2022\/10\/11\/how-to-serve-racially-ethnically-culturally-diverse-students-part-3-books\/","title":{"rendered":"How to Serve Racially, Ethnically, Culturally Diverse Students-Part 3 Books"},"content":{"rendered":"

This blog ends a three-article series on the importance of adopting a culturally responsive approach in Lutheran schools. As communities become more diverse, Lutheran schools will want to become more diverse as well. Crossing cultural lines with the gospel can be difficult, as the early church quickly learned (Acts 15). The series is written by Professor Tingting Schwartz, who has personally experienced and intellectually examined these challenges, providing valuable insights to anyone wishing to minister to new people groups. <\/em><\/p>\n

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  1. What\u2019s in Your Student\u2019s Lunch Box? <\/em><\/strong><\/a>Focusing on intercultural competence for educators.<\/li>\n
  2. What Language Do the Parents of Your Student Speak?<\/em> <\/a><\/strong>Discussing anti-bias education for young children.<\/li>\n
  3. What Books Are on Your Classroom Bookshelf?<\/em> Underscoring the importance of the Racial\/Cultural Identity Development (R\/CID) model for racially, ethnically, culturally (REC) diverse students.<\/li>\n<\/ol>\n

    What Books Are on Your Classroom Bookshelf?<\/strong><\/p>\n

    Written by Professor Tingting Schwartz<\/em><\/p>\n

    My previous blogs discussed intercultural competence development for educators and anti-bias education for young children. For the third one, using the Racial\/Cultural Identity Development (R\/CID) model proposed by Derald Wing Sue and David Sue, I will shift the perspective to racially, ethnically, and culturally (REC) diverse students and focus on the nurturance of their racial and cultural identity.<\/p>\n

    What Do We See?
    \n<\/strong>The demographics of the United States are increasingly diversified. According to the U.S. Census Bureau (2020), the non-Hispanic white population decreased to 57.8%. The second-largest racial or ethnic group is the Hispanic or Latino population, comprising 18.7%. The third-largest group is the Black or African American population at 12.1%. The percentage of non-Hispanic white children under 18 is 49.8%, less than half of the total children population. About two in three children are projected to be a race other than non-Hispanic White by 2060 (The U.S. Census Bureau, p.8).<\/p>\n

    To reach out to a more multicultural student population, here is a question for our Lutheran teachers: \u201cWhat books are on your classroom bookshelf?\u201d I am asking this question because Rudine Sims Bishop (2015), a scholar of multicultural children\u2019s literature, suggested books are mirrors, windows, and sliding glass doors for readers:<\/p>\n

    Books are sometimes windows, offering views of worlds that may be real or imagined, familiar or strange. These windows are also sliding glass doors, and readers have only to walk through imagination to become part of whatever world has been created or recreated by the author. When lighting conditions are just right, however, a window can also be a mirror. Literature transforms human experience and reflects it back to us, and in that reflection, we can see our own lives and experiences as part of the larger human experience. Reading, then, becomes a means of self-affirmation, and readers often seek their mirrors in books.<\/p>\n

    The books on your classroom bookshelf could be a window through which your students see the lives of others they have never encountered, a sliding door that invites students to enter and engage with a different world, or a mirror reflecting their own images. However, what if your students rarely have a chance to see their images in the books they read? Or even worse, what if they only see the inaccurate, distorted images of themselves in these books?<\/p>\n

    That was Grace Lin\u2019s childhood experience at school. As an Asian American children\u2019s writer, illustrator, and advocate for multicultural children\u2019s literature, Lin shared a Tedx Talk titled The Windows and Mirrors of Your Child\u2019s Bookshelf<\/em> to underscore the importance of multicultural literature to her personal journey of cultural identity development. Her talk also offered a glimpse of experiences of culturally diverse students who live and learn in a monocultural community that lacks support for them.<\/p>\n

    Please watch Grace Lin\u2019s The Windows and Mirrors of Your Child\u2019s Bookshelf<\/em><\/a>. <\/u>Her story will serve as an example to comprehend the R\/CID model. I will highlight Grace Lin’s attitudes and behaviors in her talk to understand the R\/CID model.<\/p>\n

    How Do We Understand the R\/CID Model?
    \n<\/strong>Proposed by Derald Wing Sue, professor of counseling psychology at Columbia University, and David Sue, professor emeritus of psychology at Western Washington University (2019, pp. 238-252), the Racial\/Cultural Identity Development (R\/CID) model is a conceptual framework for counselors and educators to understand the attitudes and behaviors of REC diverse clients and students. According to the R\/CID model, REC diverse people may experience five phases of understanding their own identities\u2014conformity, dissonance, resistance and immersion, introspection, and integrative awareness. At each level, four corresponding beliefs and attitudes are an integral part of identity: how a person views the self, others of the same minority, others of another minority, and majority individuals (or the dominant group).<\/p>\n

    \"\"<\/a><\/p>\n

    Status 1\u2014Conformity
    \n<\/strong>At the initial phase, REC diverse students have a positive attitude toward the dominant cultural values since they want to be\u2014or already are\u2014acculturated by the dominant American culture. They often hold negative views of their own group’s physical and cultural characteristics. Low self-esteem is usually displayed in students’ attitudes.<\/p>\n

    In Grace Lin\u2019s TEDx Talk, she shared that she did not like being the only Asian child, along with her sister, in her community. Hence, she pretended she was not an Asian by refusing to learn Chinese, but only eating McDonald\u2019s and curling her hair. The drawing books she made only featured white characters.<\/p>\n

    Can you identify your REC students who hold conformity status? Maybe it is an African American student who has told you that she dislikes her skin color or hair texture. Perhaps it is your bilingual kindergartener who suddenly stops using his home language at home. Maybe it is your international student who insists that you call her by her English name. I had an Asian international student tell me he hated his “slanted-shaped” eyes, foreign accent, and introverted personality when he first came to the U.S. He thought his face was too flat. He wished he could have spoken the \u201cperfect\u201d American accented English. He pretended to be an extrovert, which is considered a sign of strong leadership in the U.S.<\/p>\n

    Status 2\u2014Dissonance
    \n<\/strong>No matter how hard students attempt to deny their REC identity and pass to the preferred social group, they may experience dissonance between the society and their own identity development.<\/p>\n

    Grace Lin shared the dissonant experiences from her childhood. While trying hard to hide her Asian identity, she was reminded in class, \u201cChinese? Just like you!\u201d She felt horrified by \u201cthe reflection\u201d of her own image in the mirror, which is one of the functions of books proposed by Bishop. However, the reflection of Chinese people from the children\u2019s book The Five Chinese Brothers <\/em>is inaccurate or even distorted compared to the images of Chinese people today. She also felt \u201cstupid, embarrassed, and like nobody\u201d when her classmate told her that she could not be Dorothy, a character from Return to Oz, <\/em>since she is an Asian, because \u201cDorothy is not Chinese.\u201d Later, she encountered a more significant dissonance when having a conversation with an Italian during her study in Italy because she could converse in Italian but could not speak one word of her parents\u2019 mother tongue; because she was knowledgeable about Italian art and history but knew nothing about her parents\u2019 immigration story. She was ashamed of the ignorance of her Chinese heritage, whereas, in her previous identity phase, she was ashamed of associating with Chinese heritage.<\/p>\n

    Can you identify your REC students who have experienced the dissonance between self-deprecating and group-appreciating? Maybe it is your Asian student who was proud of being a member of \u201cthe model minority.\u201d Suddenly, she encounters discrimination personally\u2014she is yelled at as \u201ca human calculator” on the street. Maybe it is a Latino student who was scolded for and ashamed of speaking Spanish at an \u201cEnglish Only\u201d school, and hence devalued his cultural upbringing; now he meets a white high school teacher who highly appreciates the beauty of Spanish poetry and the warmth of Hispanic culture.<\/p>\n

    Denial of their own cultural identity begins to shatter, and questions about the dominant cultural values start to rise. REC students might have mixed feelings of shame and pride about their cultural heritage. While noticing the positive aspects of their heritage culture, they also discover the negative aspects of the dominant culture.<\/p>\n

    Status 3\u2014Resistance and Immersion
    \n<\/strong>As the name of the third status suggests, REC people display resistance to the dominant values of society and immerse themselves into their cultural heritage. Their attitude toward their own REC group and the dominant group is reversed.<\/p>\n

    Grace Lin called her immersion in Chinese culture an \u201cepiphany\u201d because she started embracing her Chinese heritage. She began to appreciate Chinese art and adopt Chinese folk art elements, such as bright colors and patterns in her artwork. Her children’s books featured Chinese culture and Asian characters. To name a few, the children’s books that she created during this stage of her life were The Ugly Vegetables<\/em> (1999), The Seven Chinese Sisters<\/em> (2003), Where the Mountain Meets the Moon<\/em> (2009), Thanking the Moon<\/em> (2010), Bringing in the New Year<\/em> (2013), and Dim sum for Everyone<\/em> (2014). The Seven Chinese Sisters<\/em>, illustrated by Grace Lin, a person within an Asian cultural group, contrasts The Five Chinese Brothers<\/em> created by a person outside of that cultural group and criticized today for promoting ethnic stereotypes. Where the Mountain Meets the Moon, <\/em>young adult fantasy literature inspired by Chinese folklore, received a 2010 Newbery Honor and was translated into many languages.<\/p>\n

    Sue and Sue (2019) marked:<\/p>\n

    The individual with this status is oriented toward self-discovery of his or her own history and culture. There is an active seeking out of information and artifacts that enhance the person\u2019s sense of identity and worth. Cultural and racial characteristics that once elicited feelings of shame and disgust become symbols of pride and honor. (p. 243)<\/p>\n

    Do you see an REC diverse student in your classroom who embraces their cultural heritage after a long time of denial? Maybe it is an African American saying, \u201cBlack is beautiful. Black lives matter.\u201d Perhaps it is a group of Native American students proud to share their rich and diverse traditions and languages with other students during the Native American Heritage Month in November. Maybe it is that same Latino student who refused to learn and speak Spanish for years; now he decides to take Spanish classes in college and learn more about his parents\u2019 cultural roots.<\/p>\n

    Individuals with resistance and immersion status often possess feelings of shame and guilt because they perceive their past actions as betrayals to their cultural group. Sue and Sue also highlighted their distrust and anger toward the dominant cultural group. They tend to withdraw from the dominant culture, perceive the dominant group as an oppressor and enemies, and even instigate the destruction of the institutions and structures that represent the dominant group (pp. 243-244). As an example, we saw riots, destruction of federal monuments, and hostility toward police after the death of George Floyd.<\/p>\n

    Status 4\u2014Introspection
    \n<\/strong>REC individuals often move away from resistance and immersion when they realize the unhealthiness of projecting anger toward the dominant group. Instead of blaming the dominant group for all the problems, they begin to understand that they could spend more time and energy on their own cultural heritage. They may start to question or resent their own people’s attitudes of resistance and immersion, such as \u201cHow Black are you?\u201d \u201cIf you support Affirmative Action, you are not Asian.\u201d They recognize that many elements in the dominant culture are highly functional and desirable yet feel confused about how to incorporate these elements into their own culture (Sue & Sue, p. 245).<\/p>\n

    Grace Lin\u2019s introspection is highlighted in this interview titled Book Chat with the Illustrator: Grace Lin on a Big Mooncake for Little Star<\/em><\/a>. She shared her experience of seeing Robert McCloskey\u2019s exhibition with her 4-year-old daughter at the Eric Carle Museum of Picture Book Art. The show’s title was \u201cAmericana on Parade,\u201d yet she realized that there was nobody in that art that resembled them. She felt that she and her daughter were excluded from the Americana of which she wanted to be a part. She also admired the artwork of Coles Phillips, especially his book All-American Girl<\/em>; but once again, she noticed these beautiful \u201call-American\u201d girls were white. Her introspection began: \u201cWhen you are a racial minority, who gets to decide if you are American enough? Who gets to be that all-American girl? Will my Asian American daughter be considered all-American?\u201d<\/p>\n

    Status 5\u2014<\/strong> Integrative Awareness
    \n<\/strong>The examination of her own racial and cultural identity pushed Lin into the final stage of the R\/CID model\u2014<\/strong> integrative awareness. People with integrative awareness have developed a positive self-image and experienced a strong sense of self-worth and confidence, have become bicultural\/multicultural without a sense of having \u201csold out my integrity,\u201d and actively seek positive changes in the community and society. They are also aware that each group member has different identity status, and they hold no judgments. They show trust to the dominant group members who actively advocate for justice and equity (Sue & Sue, pp. 245-246).<\/p>\n

    \"\"<\/a><\/p>\n

    When reading Lin\u2019s Caldecott-Honor awarded book A Big Mooncake for Little Star<\/em> (2018), my bilingual and bicultural sons and I no longer found Chinese folk-art elements. Instead, we found ourselves on a journey of discovering a fusion of Chinese and American cultures and languages. The whole story celebrates one of the most important Chinese festivals\u2014the Mid-Autumn Festival and its moon phases. Readers familiar with Chinese culture and language will notice a bunny lovey that reminds them of the Jade Rabbit from the Mid-Autumn legend. They will find a clock with moon phases marking time in ancient China and a pendant of the Pegasus constellation called flying horse in Chinese. The Pleiades (a.k.a. Seven Sisters constellation in Chinese) is referred to as the Seven Chinese sister book under a bowl of blueberries at the bottom right corner. English readers could easily find the spilled milk resembling the Milky Way, flour bags with Orion (Hunter) constellation and Leo (lion) constellation, the Big and Little Dipper, and the Great Bear and Little Bear constellation.<\/p>\n

    In her interview, Book Chat with the Illustrator: Grace Lin on a Big Mooncake for Little Star<\/em><\/a>, she shared that she designed endpapers with the color of blue, a bowl of blueberries, and a blueberry-patterned kitchen towel to pay homage to McClosky\u2019s Blueberries for Sal<\/em>. Like McClosky using his daughter in this classic American children’s book, Lin used her daughter as the center of endpapers. She captured \u201cthe same mother-daughter bond, that timeless love of family, that passing along of traditions and skills. Those things that go beyond race or nationality.\u201d Lin created a new multicultural \u201cAmericana\u201d by claiming both her Chinese heritage ownership and American birthright.<\/p>\n

    Have you encountered REC diverse students with integrative awareness? These diverse students often show greater appreciation and flexibility to different cultures. Teachers often find these REC diverse students go beyond their cultural groups and are actively involved with international festivals, global citizen programs, cross-cultural committees, mission trips, MLK day, etc. They show their understanding of the Great Commission by breaking down cultural barriers, learning different cultural values, and sharing the gospel with people of different cultures.<\/p>\n

    Sonia Nieto, in her book Affirming Diversity: The Sociopolitical Context of Multicultural Education <\/em>(2000), summarized the successful models of REC diverse students who refused to accept either assimilation or rejection of the dominant culture:<\/p>\n